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Visiting hours:
The National Museum of Art of Romania
, the Theodor Pallady Museum and the K. H. Zambaccian Museum can be visited: Wednesday-Friday 10am-6pm
Saturday-Sunday 11am-7pm, Monday and Tuesday closed. Free entry on the first Wednesday of the month.
The Art Collections Museum: Monday, Tuesday and Friday, 10am-6pm, Saturday and Sunday 11am-7pm, closed Wednesday and Thursday. Free entry on the first Tuesday of the month.
Last entrance: 1 hour before closing for The National Museum of Art of Romania and the Art Collections Museum and 30 minutes for the Theodor Pallady Museum, the K. H. Zambaccian Museum and the temporary exhibitions.
For guided tours, please make a reservation at secretariat@art.museum.ro at least 7 days in advance.
For visits to our museum without guided tours there is no reservation necessary.

Starting with February 4, 2026, the Theodor Pallady Museum is temporarily closed for reorganization and renovation works.

The National Museum of Art of Romania
Tonitza - The Forest Ranger’s Daughter
Artwork description
Nicolae Tonitza
(Bârlad, 1886 - Bucharest, 1940)
Oil on canvas/board
63 x 53,5 cm
Inv. 68.560/7245
Artwork location
Romanian Modern Art Gallery , room 9

The Forest Ranger’s Daughter counts among Tonitza’s most popular paintings. It was done sometime between 1924 and1926, a time when the artist was sympathetically exploring the universe of children, projecting onto them his own feelings. Like most of his portraits this one too seems intent on decoding the sitter’s gaze. Though turned toward the painter, the girl is deeply engrossed in a world of her own, as if looking into herself, in a contemplative, melancholic mood. Her inner world is hardly accessible to anyone but herself.

Far from any photographic rendition, the girl’s portrait plays the card of a stark contrast between the red dress and the green foliage surrounding her, the oak leaves interspersed here and there with touches of blue and orange. Two leaves descend on the collar of the dress and draw our attention to Tonitza’s masterly passage from the foreground to the background while breaking the decorative rhythm of the foliage.

See more works in the Romanian Modern Art Gallery

VIRTUAL GALLERY OF ORIENTAL ART. COLLECTION OF ISLAMIC ART

VIRTUAL GALLERY OF ORIENTAL ART. COLLECTION OF ISLAMIC ART

The collection of Islamic art at the National Museum of Art in Romania is the most significant of its kind in Romania, comprising approximately 1,400 pieces dating from the 7th to the 20th century.

Depictions photo exhibition - Danielle van Zadelhoff

Depictions photo exhibition - Danielle van Zadelhoff

The National Art Museum of Romania invites you to the opening of the photo exhibition Depictions, by the Dutch artist Danielle van Zadelhoff on Sunday, May 26, 2024, at 6 pm, in the presence of the artist.

The Art Collections Museum

The Art Collections Museum

Inaugurated in 1978 as a Department of the National Museum of Art of Romania, the Art Collections Museum showcases artistic interests that prevailed in Romanian society from the early 20th century onward. Over 30 collections on permanent display incorporate a variety of art pieces and collectibles, ranging from Romanian and European fine and decorative arts to Oriental art. Donated over nearly a century by both collectors and artists, they bear witness to their owners’ taste and economic power, their leaning toward famous names or contemporary art, as well as to the artists’ particular interests, surroundings, and daily studio practice. Works by well-known Romanian painters such as Theodor Aman, Nicolae Grigorescu, Ioan Andreescu, Nicolae Tonitza, Gheorghe Petraşcu, Theodor Pallady, Lucian Grigorescu, Iosif Iser, Camil Ressu, Francisc Şirato, Alexandru Ciucurencu, Dimitrie Ghiaţă are exhibited alongside European and Japanese prints and drawings, French furniture, Oriental carpets, and folk icons from Transylvania. This unique museum is hosted by the former Romanit palace. The building, an example of modern Bucharest architecture, was recently restored and refurbished. Wherever possible, displays suggest the original layout and atmosphere of individual collections.

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